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Post by Cruachan on Jan 10, 2016 18:01:19 GMT
Hi Tim, Thanks. I was not totally out of it as I was able to connect at the coffee shop, but it was certainly inconvenient! Regards, Charlie Oh, I don't know. Sounds like a great way to relax while catching up with all those emails and forum posts. Happy New Year, Charlie! Glad you got sorted. Regards, Mike
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Post by Cruachan on Dec 12, 2015 2:13:45 GMT
Merry Christmas, Charlie and also to everyone here! 2015 at Charlie Hall & Friends has proved to be such a memorable year in so many respects. Time now to look forward to what 2016 will bring - hopefully much more of the same.
Mike
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Post by Cruachan on Nov 15, 2015 1:22:00 GMT
Hi Mike, The EH preamp valves in your Roxlut amp sound good don't they? They were tested against JJ valves and JJ sounded distinctly lacklustre in comparison. Regards, Charlie Hi Charlie, Oh yes, a huge resounding yes!! Actually, if I'm honest, I had forgotten/didn't realise these were EH valves. Regards, Mike
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Post by Cruachan on Nov 14, 2015 23:24:25 GMT
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Post by Cruachan on Nov 14, 2015 19:06:38 GMT
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Post by Cruachan on Sept 29, 2015 17:33:11 GMT
+1 for varifocal lenses. Had them (Specs) for many years and they work well....once you get used to them.
Mike
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Post by Cruachan on Sept 9, 2015 11:42:50 GMT
An extraordinary achievement and doubtless will do very well. However, and perhaps inevitably due to it's all-in-one design concept, unlike the Stratocaster it can't really be regarded as being a thing of beauty to be lovingly cherished and preserved.
Mike
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Post by Cruachan on Sept 4, 2015 17:12:43 GMT
Hi Joachim,
That was brilliant! I thoroughly enjoyed it!
Now begins the search for a suitable backing track...
Regards, Mike
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Post by Cruachan on Sept 1, 2015 10:28:41 GMT
Mark Knopfler Mike
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Post by Cruachan on Aug 25, 2015 10:03:48 GMT
Hi Baz, Methinks Sigmund Freud would have had a field day with you on his couch.... We have an 8 year old Burmese. Fortunately she doesn't stray but, if she did, I think it's highly likely the strains of 'She'll Return' will now permeate my thoughts! We are surrounded by fields and woodland and around this time of year she becomes the victim of Harvest bug mites - Itchy and Scratchy springs to mind..LOL Regards, Mike
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Post by Cruachan on Aug 23, 2015 14:34:53 GMT
So you see, those guy's haven't really a clue the HCSE is capable of.... Cheers Rob ...which underlines the need for its true potential to be demonstrated properly by someone who knows what they are doing. Several 'demos' may soon appear on the internet, but what this unit needs, and deserves, is a good core demo which acts as a valid reference point. Regards, mike
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Post by Cruachan on Aug 21, 2015 17:09:07 GMT
Got mine ( Guitarist - Issue 398) this afternoon at Sainsburys. The review is in the 'Pedalboard' section of the magazine and is the only device given a 2 page spread! Nice pictures of the unit although I see they have set all the knobs in the 12 o'clock position...tut, tut! Those that purchase the unit and belong to the honourable order of idiots who rarely read manuals are likely to experience initial disappointment until they break that lifetime habit. Otherwise I thought it was quite a decent, albeit necessarily, somewhat superficial review which does mention most of the features that are available. Not sure why they should be griping about the absence of Tap-tempo. Also they describe it as being 'bulky'. Surely it's rugged build and size are plus points for many guitarists. I suppose they are wondering how to fit it on an existing pedalboard. The language used in parts of the review suggests the reviewer has been well briefed by someone with an intimate knowledge of the electronic wizardry within the unit A score award of 8/10 is richly deserved and an acknowledgement of a quality product entering the market. Although the main review is on pages 122-123 there is in fact a little more on the PEDALBOARD title page. If I may be allowed to quote a couple of sentences: " Not only does it highly accurately model the glistering multi-tap delays of vintage tape units used by Hank, from the Meazzi Echomatic to the Vox Long Tom, but it has bespoke circuitry designed to emulate the warm, saturated pre-amp tones associated with these vintage delays. It's not cheap, but the quality of the delays is stunning." I had to look up the meaning of 'glister': To sparkle, glitter Can't say fairer than that, in my view. Mike
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Post by Cruachan on Aug 21, 2015 12:51:16 GMT
Hi Chris,
Superb! Played with masterful confidence. Dare I say it, might even be better than the original EMI release in 1963. Just goes to show that we shouldn't necessarily shackle ourselves uncompromisingly in the pursuit of ground-breaking sounds of our yesteryear. The Hall & Collins Signature Echo now provides us with those magical ingredients enabling the production of great covers as well as imaginative original work in the future. I can see the HCSE taking its place in history as one of the significant audio engineering achievements of the 21st century.
Regards, Mike
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Post by Cruachan on Aug 21, 2015 1:54:42 GMT
It is quite clear how we all feel about the Hall and Collins Signature Echo. Having lived and breathed the anticipation and excitement throughout the lengthy development period, we have each purchased our very own example and are now discovering that all our dreams have at last been fulfilled. Why? Quite simply because the long search to reproduce those sounds we cherish so much has finally been rewarded and we desperately want everyone else to join in the party.
This is, of course, perfectly understandable, but we are overlooking one very important issue. The music of Hank Marvin and The Shadows has been part of our lives for such a long time. Our generation remembers and can appreciate what has been and, indeed, continues to be a wonderfully fulfilling auditory and emotional experience. Yet nowadays it seems, unbelievably, that this music is not to everyone's taste. We have to acknowledge that our sons and daughters are currently enjoying a different experience, one which many of us may find both alien and uncomfortable. That's not to say that modern musical genres should be rejected or regarded as being irrelevant. Far from it. Learning to appreciate and, in some cases, liking what we hear can, in its way, be quite stimulating.
The point I'm trying to make is that if we can learn to appreciate other forms of music then so too can our children, or those others who quickly reject what we like as being so uncool and unworthy of their attention.
I believe that the Hall and Collins Signature Echo should appeal to a broad range of potential users. It has much to offer and a single demo which is too focussed on one particular area is likely to prove unhelpful and may hinder sales. The unit needs to be demonstrated by several diverse musicians who understand how it functions and are capable of translating that into a worthwhile and tangible experience. As its joint creators, who better than Charlie and John to meet this challenge. Under their guidance anything should be possible by way of promoting the unit in the best possible light.
While the existing single demo may not be worthy of much serious attention it does at least serve as a taster which tantalises and tempts the non-Shadow orientated listener into wanting more. Further demos should now be arranged with the intention of exemplifying the true and wide ranging capabilities of the Hall and Collins Signature Echo.
Meantime, the curious can Google 'Hall and Collins' and they will quickly access the website where they can download the instruction manual, listen to audio files, etc.
Mike
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Post by Cruachan on Aug 20, 2015 0:22:30 GMT
Hi Baz, Beautiful composition and a very nice sound! On my way to bed now and I find your tune is still ringing in my head Well done! I really enjoyed it. May I ask who the 'She' is in the title? Regards, Mike
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Post by Cruachan on Aug 20, 2015 0:08:06 GMT
Possibly the worst demonstration I have ever seen. He didn't even understand the controls. Isn't that part of the fascination that derives from experimenting with a device which offers so many creative possibilities? I think it is quite possible that 'not understanding the controls' will be a common experience, at least initially. I've owned the unit for a while now and find I have still much to learn. Not understanding how to use the controls didn't put me off the purchase. I was aware of its provenance, excited about all the possibilities and knew I must have one! I think we can agree that not everyone is a devotee of Hank Marvin and The Shadows. Their sound will always be very special to our community and the Hall & Collins Signature Echo has brought us as close as it is possible to be to recreate those wonderful sounds. Doubtless many newcomers to this experience will, in time, find themselves equally entranced and captivated. As to the rest? Well, we know that the unit is capable of so much more and therein lies its strength and potential. More demos of the unit will appear and doubtless there will be some which will attract accolades while others earn our disapproval. However, it has to be said that the one constant to date has been the complete absence of any negativity. We all want to see it succeed as Charlie and John deserve nothing less. They have created something unique and very special and I do believe that quality such as this will always reap rewards. Mike
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Post by Cruachan on Aug 19, 2015 21:17:37 GMT
Hi! Again listening with headphones, interesting possibilities open up. Regards I agree with Istvan. At least there was no attempt to bastardise the unit by over driving the sounds. Indeed, the licks used in the demo sounded pretty good to me and, as an introduction, would certainly pique my curiosity. My guess is that there may be significant numbers of players who are growing weary of the in-your-face type sounds currently dominating the music scene and are yearning for the return of cleaner alternatives to broaden their repertoire. Hopefully, this pedal's undoubted versatility will persuade them to investigate further. Perhaps we are about to witness a welcome shift in musical appreciation as musicians the world over, whether established or aspiring, recognise the enormous potential inherent in the Hall & Collins Signature Echo as it helps them rediscover qualities of sound that have, to a degree, remained repressed for far to long. We at CH&Fs could be at the vanguard of a new era of musical creation and expression. Mike
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Post by Cruachan on Aug 13, 2015 11:01:52 GMT
Sorry I had to do it the long way for those wanting to see the photos, only way I knew how, here they are anyway, I'm sort of too scared to play it haha. It sounds brighter than my Mexican 50s one, I don't know if its the pick ups or strings? it has vintage 54 pick ups I'm told Cheers Matthew Hi Matthew, 1. In Photobucket select 'Library' which should contain your uploaded images 2. Select an image - a larger version will then be displayed 3. On right-hand side of page you will see 'Share Links' 4. Click in box with the heading 'IMG' 5. Highlight and copy the selected link 6. Paste into your post at CH&Fs or, alternatively, into Notepad temporarily until you have finalised your selections and/or any associated text that you wish to include with your images. Hope this helps. Regards, Mike
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Post by Cruachan on Aug 4, 2015 21:17:08 GMT
Hi Mike, Yes, my prototype H&CSE was in front of me, and I don't think you can see it in the video but Istvan's H&CSE was next to it. Here is Dance On, one of the few I didn't make many bad mistakes: www.youtube.com/watch?v=9uxND_C1dY0&feature=youtu.beRegards, Charlie Yes, I did wonder about the Hall & Collins. While it looked about the right size the 4 knobs were sitting proud rather than recessed as in the final product. Was that the prototype unit you used when I visited last year? It certainly convinced me that nothing would stop me from purchasing one for myself as soon as it was released I now realise that I've been playing the opening riff to 'Dance On' incorrectly. Mine is a more muddled approach while dipping the whammy bar at the appropriate moments. Listening to your performance has taught me how it should be done - thanks! It's good to see you letting your hair down and enjoying yourself - you deserve it! Regards, Mike
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Post by Cruachan on Aug 4, 2015 20:13:43 GMT
Hey, I've just watched the videos! Fantastic! Here's the link to 'Shadoogie' - Charlie on lead: youtu.be/_CioaSdPNvUWish I could play like that. Was the Hall & Collins SE near your feet, Charlie? Looks about the right size. And Istvan playing 'Genie with the Light Brown Lamp': youtu.be/mVSC2FK5SFIAnother amazing performance! Sound was pretty good too! There are several other associated great videos in addition to the above. Mike
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Post by Cruachan on Aug 4, 2015 18:22:30 GMT
Oh yes please! Do I spy a Peavey Classic 30? Mike
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Post by Cruachan on Aug 2, 2015 18:42:38 GMT
Hi Tony,
Never heard this tune before. Thanks, I enjoyed your playing very much. Tone sounded just right and the muted section was handled very proficiently. Wish I could learn to stop the odd string from ringing through.
Regards, Mike
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Post by Cruachan on Aug 2, 2015 18:33:14 GMT
Hi, Stumbled across this informative article today: www.stevesamps.co.uk/?page_id=287If any of you are considering changing the speakers in your AC30, Steve's tip in his last paragraph might be worth bearing in mind. Regards, Mike
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Post by Cruachan on Aug 2, 2015 16:08:05 GMT
I suspect Steve is right. Hank has left his unique stamp on history whereas we, in our separate ways, remain grateful to the Master and have chosen to perpetuate his wonderful legacy. Hank has now moved on and, while he is still able, who can blame him. By exploring different musical genres he is facing new and exciting challenges and, by so doing, is keeping his enthusiasm alive. I'm quite sure we would do the same if we possessed his unrivalled talent and skills.
That said, it would be very interesting to know what he thinks about the Hall & Collins Signature Echo. I'm sure he must know about it by now. Who knows, perhaps he visits these forums from time to time.
Mike
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Post by Cruachan on Jul 31, 2015 8:40:12 GMT
Hi Derek, I found these extracts on forums.fender.com: " The RED dot is supposed to be the bridge pickup, not the neck pickup. The neck and middle pickups don't have dots or colored wires because they are supposed to be identical. The bridge pickup should be in the 6.3k to 6.6k range (typically) and the middle/neck pickups should be 5.9k to 6.0k range (again, typically.)
The coil wire on CS 54s is Formvar, so it should be orange/copper colored like the Fat 50s. Texas Specials use enamel wire, which is a very dark maroon/purple colored. Getting the meter readings though would be the best way nail this down." " In instances where the pickups are position-specific, the bridge coil is generally identified with a red dot on the bottom of the bobbin. RP/RW middle pickups are usually indicated by yellow and black lead-in wires. DCR measurements would confirm the suspicion that you've got a set of CS 54's." Thought the resistance values might prove helpful if you can borrow a multimeter from someone. Alternatively you could try taking them to a luthier or anyone with a meter to check for you. Actually, multimeters are generally quite cheap to buy. You should be able to purchase one from Amazon. Always handy to have with our hobby. www.amazon.co.uk/s/ref=nb_sb_ss_sc_0_11/280-0052195-0944103?url=search-alias%3Daps&field-keywords=multimeter&sprefix=Multi+meter%2Caps%2C160Regards, Mike
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Post by Cruachan on Jul 29, 2015 10:27:32 GMT
Follow-up:
UPS turned up this morning expecting to uplift the package but it wasn't ready for collection. The driver was very pleasant and understanding when I explained what had happened. Will make a second attempt tomorrow. Received email from Musik Produktiv GmbH apologising for the confusion and confirming that their intention is, after all, to uplift the item for return. So, looks like we're back on course again!
Should receive the second unit from Andertons later today. I'm a bit pushed for time over the next few days so may be a short delay before I can report further. Hopefully its performance justifies all this hassle.
Mike
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Post by Cruachan on Jul 28, 2015 19:16:09 GMT
Hi everyone,
Not sure whether to laugh or cry at this point! My wife and I returned home late this afternoon, I checked my iPad for emails and there it was, an email from Musik Produktiv GmbH advising me that a replacement unit was in the hands of UPS awaiting dispatch!! This was despite my responding to an email from them earlier today asking if I wanted a replacement or refund. In bold font I opted for the refund. It was 5:50pm so I gave them a call hoping I could head this off at the pass. No joy, all I got was a recorded message in German at the end of which they rang off.
So, yet another email to Musik Produktiv GmbH. I suspect they mean well and are trying to do the right thing but methinks there has been a hitch in communication.
Sorry this seems to have hijacked the original thread, hopefully not for much longer, but I thought you might be amused by these developments. Can't wait for the next chapter...LOL! Oh, that's good, I'm laughing!
Regards, Mike
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Post by Cruachan on Jul 27, 2015 21:47:35 GMT
Hi Mike, Was that with running on batteries or a power adaptor? Regards, Charlie Hi Charlie, 9V DC 500mA power adapter. I know it's okay as it has been and, in light of today's developments, still is providing power for the Caline CP-24, Joyo ACTone and TC Electronic Polytune. The original signal chain remains hum free. I tried taking the battery out for no logical reason other than to eliminate the possibility that it might be involved. Still the same result. It's not really possible to investigate further without voiding the warranty - hence the reason to return it and request a refund. Amazon didn't provide an option to provide a replacement. I await the email with instructions from Musik Produktiv GmbH. Regards, Mike
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Post by Cruachan on Jul 27, 2015 16:58:23 GMT
Thanks Mike It will be interesting to hear what you think when you get it. Regards PhilB Hi Phil, Re: Wampler Thirty SomethingWell, it arrived last Friday and today was the first opportunity I had to try it out. Would you believe it?! Loud mains hum which would not resolve by using several known good alternative leads. It appears to be a fault relating to the output socket on the unit. I opened it up to have a look (no problem as you need to take the back off to change the battery, if used) but there was no obvious cause. Very neat circuit board with numerous components visible but nothing serviceable without jeopardising the warranty. Ah well, just been unlucky, I suppose. I've initiated the returns procedure through Amazon and, meantime, have ordered another from Andertons Music Co in the UK. Otherwise, I can say that the unit appears very well built with an impressive finish and, like the Hall & Collins SE, quite clearly there is much attention to detail. I like that! Shows the Developer really cares about his product. Regards, Mike
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Post by Cruachan on Jul 20, 2015 12:58:33 GMT
Hi Phil, Now there's a coincidence! I ordered one a few days ago from Amazon UK (Seller: Musik Produktiv GmbH). Will likely take a week or so to arrive. Currently I use a Caline CP-24 10 Band EQ and a Joyo ACTone after the Hall & Collins SE which, together, do get remarkably close to achieving that elusive sound. However, I still find myself fiddling with settings as I move from tune to tune. The Wampler 'Thirty Something' has been receiving excellent reviews and, like Charlie, it's creator, Brian Wampler, is an individual dedicated to spending considerable amounts of time and effort perfecting his art. www.wamplerpedals.com/heritage/thirty-something/The hope is that, finally, I will have found a pedal that produces a wide range of Vox AC 30/15 core sounds which can be tuned to my Roxlut Amp with the minimum of effort. Also it will greatly simplify my pedal line up. Fingers crossed! Regards, Mike
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